Fresh off his viral smash dancing to Elvis, Danish toddler William Stokkebroe returned to his now-famous living room stage for an encore. This time, he tackled a new rock ‘n’ roll icon: Little Richard.
The setting is comfortingly familiar—the same simple room with its laminate floor and white radiator. William, dressed in a casual long-sleeved shirt, is ready. As the thunderous opening piano glissando of “Good Golly Miss Molly” blasts through the speakers (a modern, punchy cover version), his transformation is instant.
Gone is the cool swagger of Elvis. This is pure, unfiltered joy. His eyes widen with mock surprise at the song’s energy before he launches into a new routine. It’s a hilarious and perfect toddler interpretation: frantic, happy stomping, chaotic spins, and full-body wiggles driven by the song’s relentless beat. He doesn’t just hear the music; he physically becomes it.
This sequel proved William was no one-hit wonder. It showcased a different side of his musicality, trading “Jailhouse Rock” cool for “Good Golly Miss Molly” chaos, and cementing his status as the internet’s tiny, unstoppable king of rock ‘n’ roll.